|Chris Claremont speaks to a fan|
during the 2014 Motor City Comic Con.
CARY ASHBY/CARY'S COMICS CRAZE
So if you're going to talk about the X-Men, that conversation has to include writer Chris Claremont, who wrote UNCANNNY X-MEN for 16 years starting in 1975. So check out this one-on-one experience I had with the Marvel Comics living legend during a 2014 comic book convention.
Spoiler tease: It didn't start out so promising, but the way it ended — soooo cool …!
WARREN, Mich. — There’s nothing like having a living comic-book legend calling you out.
Unless the day before that same childhood hero pours over an X-MEN issue he wrote — just before he autographs it for you.
During the VIP time/first night of the 2014 Great Lakes Comic-Con (Feb. 28, 2014), I’m pleased to – who am I kidding? pretty darn geeked to — get face time with the one and only Chris Claremont. He’s one of only a handful of true living legends in the comic book industry who is still with us.
(Maybe he spotted the reporter’s notebook I had with me — just in case I got the vibe he was open to doing an interview there at his table. [I didn't get that vibe BTW. ...] Or maybe it was the press credentials I also had in case I needed it — which I didn’t. Or the camera I put on the corner of his table. …)
But he warmed up to me. And it made for an uforgettable few minutes with the Man.
|Yup, Chris Claremont's autograph is just as difficult|
to decipher as it is in this undated photo!
“Thank you very much,” was his warm response, accompanied by a quick smile.
(I guess I geeked out so much I didn’t talk much shop with him, but give me a minute here. …!)
Being a vendor at the “con" with "Big" Ron Cooper, I was able to snag a free autograph.
Claremont put it on the top of the front cover of MARVEL FANFARE No. 3 (a reprint of one of Claremont’s first stories about the “new” X-Men line-up, this one being in the Savage Land). Just a few minutes earlier I had bought a copy at a vendor’s table for less than 50 cents; again, I got a discount since I did some wheeling and dealing as a vendor.
But anyway. …
Before Claremont signed his autograph, he had me take the issue out of its bag.
I thought he would sign it and be done. No, instead he gently placed the comic book in front of him. And opened it.
Claremont then carefully studied each and every page, taking his time to flip through the entire issue. He studied the words he’d written 40-plus years ago and Dave Cockrum’s distinctive artwork. It was as if he hadn’t seen this story in a very long time and was re-experiencing it.
My biggest surprise was yet to come.
Claremont came to a small panel near the end of the story featuring Colossus being handcuffed with massive iron bolts with his teammates. In a feasible Russian accent, he mimicked the very dialogue he had given the Russian mutant.
When Claremont got to the final page, he said (something to the effect of): “Of course there’s a cliffhanger. What will happen to our heroes? You’re going to have to get the next issue to find out.”
It was an amazing bunch of fanboy minutes!
The only thing better would have been if Claremont had read the entire issue to me, as a preschool teacher would for a group of youngsters. …
The next day — March 1, 2014 — Claremont called me out during his Q&A session.
|My celebrity buddy Jordan Trovillion, host of Comics Continuum, interviews Chris Claremont|
during the 2014 Great Lakes Comic Con. Little did I know she was there … and would befriend her later.
Courtesy of COMICS CONTINUUM
Claremont spotted me furiously taking notes as he talked. (I asked him about the different between working with Cockrum and John Byrne — and he gave me a doozie of an answer.)
“Oh no, he’s taking notes,” he said to everyone there, dramatically putting his forehead on his open palm.
And with an even more dramatic wave of his hand, he said: “I deny everything!”
Of course you want to read more about Chris Claremont …!
During his Q&A at the Great Lakes Comic Con, Claremont shared how he pitched the WOLVERINE limited series to artist Frank Miller and what he thinks about "The Wolverine" film, which had just been released the previous summer and was based on Claremont's now highly sought-after limited series.